“Fabriquer” la musique contemporaine à Tachkent

Abstract : In this article, I observe an ensemble for « contemporary music » interpreting 20th century works mostly composed by Western composers, but also by Chinese and Korean composers, in Tashkent (Uzbekistan). This observation offers a case study about musical globalisation. The small-scale ethnography allows me to examine historical, political and identity issues on a local level. This paper shows that the small group of Uzbek musicians interpreting foreign composers is not only importing music from abroad. Through their practice, their taste, and their engagement, they are demonstrating their agency in their musical projects. In doing this, they are constantly renegotiating their musical identity in dialogue with external references and influences.
Complete list of metadatas

Cited literature [58 references]  Display  Hide  Download

https://hal-univ-paris10.archives-ouvertes.fr/hal-02337662
Contributor : Administrateur Hal Nanterre <>
Submitted on : Tuesday, October 29, 2019 - 3:29:43 PM
Last modification on : Thursday, October 31, 2019 - 1:35:23 AM

File

LISACK Final Fabriquer la musi...
Files produced by the author(s)

Identifiers

Collections

Citation

Lucille Lisack. “Fabriquer” la musique contemporaine à Tachkent. L'Homme - Revue française d'anthropologie, Éditions de l'EHESS 2017, pp.115-146. ⟨10.4000/lhomme.30092⟩. ⟨hal-02337662⟩

Share

Metrics

Record views

7

Files downloads

19